“During the prep, I asked everybody to push the envelope and find ideas not to be stuck technically,” Turi explains. Of course, shooting in such a narrow, confined space presented its share of challenges. It was very important to me to keep this idea.” You want her to succeed and, like her, you want to know what’s outside, what’s at the end of the tube. I wanted the audience not to be outside, but literally with Lisa. It’s like being a spectator at a gladiator fight. “I love the fact that, in that kind of movie, as a viewer, you want to watch people suffer, and you enjoy it. It was terrifying, even if nothing actually happens in the scene! That was my main inspiration for Meander.”Ĭomparisons to the Cube and Saw series seem inevitable, but Turi immediately points out a key difference. And I remembered a scene from James Cameron’s Aliens, where the android Bishop needs to crawl in a tube. So, my idea was to have the opposite: one person who must move. “In that kind of movie, the general idea is often to have one person in one place where it’s not possible to move. To know why she’s there and how to get out, Lisa will have to confront memories of her dead daughter… “I was looking for a high-concept idea, set in one space, but I really wanted to do something different,” says Turi of Meander’s genesis. The captive has no choice but to crawl into safe sections to survive. Lisa quickly understands that every ten minutes, fire burns through an occupied section of the tube. Strapped to her arm is a bracelet with a digital countdown. This work of sound research takes its full meaning in my second feature film soundtrack: Meander (2021), an intense orchestral score mixed with distinctive and disturbing atmospheres.In the award-winning film, poor Lisa (Gaïa Weiss from Vikings) gets a car ride from an unknown man (Peter Franzén, also of Vikings) and wakes up in a large, endless tube. In this soundtrack, I mix influences and musical styles to create an intimate and scary score.Īttached to sound exploration, I use sampling and new technologies to build new musical universes. In 2016, I compose my first music for a feature film: Hostile. At the same time, I compose music for many projects (corporate, fiction, radio). I write, direct and score several short films. In 2005, I entered a film school in Paris to study film writing and directing. I began studying music as a self-taught musician. With a passion for cinema and film music since I was a child, I have always been fascinated by the emotional and sensory impact brought by a soundtrack. I have been writing and creating music for about 10 years. In addition to being a composer, I am also produce sounds and virtual instruments. I create music in several genres: cinematic, electronic, neo-classical, (post-)rock. 'I am a film and media composer based in France. To know why she’s there and how to get out, Lisa will have to face the memories of her dead daughter… She has no choice but to crawl into safe sections to survive. She quickly understands that every 8 minutes, fire burns an occupied section. On her arm is strapped a bracelet with a countdown. Meander is directed by Mathieu Turi with Gaïa Weiss, Peter Franzen and Romane Libert.Īfter getting a car ride from an unknown man, Lisa wakes up in a tube. The score is available on Amazon and digital music service. The album contains the music composed by Frédéric Poirier (Hostile). YASCORE presents the soundtrack for the sci-fi movie Meander (Meandre).
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